Couverture / Jaquette

The Complexity and Progression of Black Representation in Film and Television examines the complexities of race, representation, Black masculinity, sexuality, class, and color in American cinema and television.

Note biographique

David L. Moody is assistant professor in the Department of Communication Studies at the State University of New York at Oswego.

Table des matières

Introduction: Who Am I?Chapter 1: Race Films as a Genre in American CinemaChapter 2: Riding the Train of Cultural Complexity with Sarah Jane and Clay : Critique of the Films Imitation of Life and DutchmanChapter 3: Black "Zombies/Non-Zombies" that Live Amongst the Dead: A Closer Look at the Screen Acting Work of Mantan Moreland and Duane Jones in King of the Zombies (1941) and Night of the lIving Dead (1968)Chapter 4: The Devil Made Me Do It...That Is, Burn Down Paris: Queering Masculinity in African American Culture, American Cinema, and TelevisionChapter 5: The Scarface Identity: Rap Gone Wild, Cash Money Bruthas, and Niggas Killin' Nigga(z) on Da StreetsRob Prince Obey and David L. MoodyChapter 6: Black Popular Culture, The Boondocks, and Black JesusChapter 7: American Culture and the Black Situation ComedyConclusion: What Am I?

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